论马克思“费舍尔美学摘记”的动机、旨趣与理论回响
On the Motives,Purports and Theoretical Echoes of Marx's Excerpts on Vischer's Aesthetics
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摘要: 马克思1857年的“费舍尔美学摘记”是研究其美学思想的重要文献，学界对其探讨多延续里夫希茨与卢卡奇的观点，但他们相似论点的背后隐藏着不同立场间的张力。结合费舍尔《美学或美的科学》原文并重新反思二人的立场，可以得出，马克思摘录的外在动机包括为《美国新百科全书》撰“美学”词条、参考著作分册出版形式；内在旨趣则聚焦费舍尔美学原创内容与主体性因素，对黑格尔学派相关内容则多有舍弃。该摘记在马克思的美学思考中留下了许多理论回响，如对希腊神话、无机自然美的讨论，以及对艺术生产和审美百家家乐app下载官方网站的相关思考等，但马克思以唯物主义方法论实现了对费舍尔观念论美学的超越。Abstract: Marx's Excerpts from Vischer's Aesthetics (1857) is a crucial document for studying his aesthetic thoughts,and academic discussions on it have mostly followed the viewpoints of Lifschitz and Lukács,but behind their similar views there is a tension between their standpoints.By referring to the original text of Theodor Vischer's Ästhetik oder Wissenschaft des Schønen and re-examining the positions of these two scholars,it can be concluded that the external motivations behind Marx's excerpts included preparing to write the “Aesthetics” entry for The New American Cyclopedia and drawing on the publication format of Vischer's work.Internally,Marx's theoretical focus centered on the original contents and subjective elements in Vischer's aesthetics,while he largely discarded content related to the Hegelian school.This set of excerpts left multiple theoretical echoes in Marx's aesthetic reflections,such as his discussions on Greek mythology and the beauty of inorganic nature,as well as his thoughts on artistic production and aesthetic education.Nevertheless,Marx transcended Vischer's idealist aesthetics through his materialist methodology.
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Key words:
- Marx /
- Vischer /
- aesthetics /
- Excerpts from Vischer's Aesthetics
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